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The Enterprise-E only has 24 decks (stated
in
First Contact), but in the movie the Remans are said
to be on Deck 29. |
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Near the end of the movie, Picard is
toasting his crew with wine. In one scene he holds the
wine glass by the stem, in the next scene he holds the
wine glass by the cup. |
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A nearly-empty plate of food disappears
from the table between shots when Picard and Shinzon have
dinner together. |
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During Picard's speech about Riker and Troi
you can see a shadow of the tree on the backdrop of the
mountains in Alaska. See pic
here. |
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When the viewscreen of the Enterprise is
blown away, leaving just a hole in the hull for the crew
to look through, all you can see is space. The bridge of
the Enterprise is on the top of the saucer section, so you
should have been able to see half of the saucer section
through the hole. |
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During the desert chase scene, Picard and
Data lose, then regain their sunglasses. |
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When the Scimitar disables the second
Romulan vessel with pin point disrupter fire, the warbird
loses all power and coasts to a stop. The laws of physics
state that an object in motion remains in motion unless a
force acts on it to stop it. Space is virtually
frictionless, the warbird should have continued moving. |
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In the scene where Picard and Shinzon are
having dinner on Shinzon's ship, one shot shows a wine
glass with a little bit of blue liquid in it. The next
shot of the same wine glass shows the glass more than half
way full. |
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When Dr. Crusher is explaining to Picard
about Shinzon's aging process, she explains about temporal
RNA. But a few seconds later, watch her mouth as she says
RNA - the voice over says DNA. |
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In the scene at the beginning where Picard
is toasting Troi and Riker's wedding, we see a wide shot
of the crew. Wesley is on the far left of his mother. In
the wide shot, he isn't there, and then immediately after
in a closer shot he is back again. |
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When Picard, Data and Worf are on the
planet, just a few shots after they leave the shuttle,
Picard drives a sharp left curve. If you look at him in
this shot, it is not Patrick Stewart sitting on the
driver's seat, but his stuntman, who is not even wearing
goggles. See pic
here. |
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When the front of the Enterprise bridge is
blown out the crewman at the Navigator's station is thrown
completely over his console. The harness lifting him out
of his chair can clearly be seen before the camera cuts
away. |
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When Data and Picard are trying to escape
from the Remen ship for the first time, Picard places his
back to part of the wall in order to avoid being shot.
When he jumps out to return fire, the wall visibly bends
back into shape where his body was forcing it out of
alignment. |
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When the viewscreen is destroyed and the
air is being sucked out of the bridge, Data braces himself
by wrapping his arms around the Captain's chair, but
Data's arms are not visible in the close-up of Picard. |
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Obvious stunt double for Picard during his
tumble down the stairs with Shinzon. |
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In the latter half of the movie, Picard
looks at a picture of himself from his days as a Starfleet
Academy cadet while Beverly looks on too. This picture is
actually the actor Tom Hardy (Shinzon, Picard's clone) and
he appears with a completely bald/shaved head. Showing
Picard bald as a cadet completely contradicts the TNG
series. In the TNG episode 'Tapestry',
a flashback set in 2327 (the year Picard graduated from
the Academy), Picard is shown with a full head of hair.
Also, in the TNG episode 'Violations',
a flashback set in 2354 shows Picard with a partial head
of hair when he takes Beverly to see her dead husband
Jack's body. |
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In the scene where Picard and Data are
about to board the Scorpion attack flyer, Picard throws
his disruptor rifle to the ground. Yet just seconds later
when the Scorpion is about to escape by blasting the
entrance to the hangar bay open, no disruptor rifle is
seen on the ground. |
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When the away team first walks into the
room to meet Shizon, you see Deanna walking directly
behind Picard. The camera angle changes and she is now
seen walking next to Worf. |
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Guinan is not in the wide shot of the
wedding toast. And many of the extras are in different
spots in the wide shot compared to the coverage shots.
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